Supercar With A Difference?

For those of you who don't know, I work in software. I build things in bits and bytes - things people need to make their computers do useful things. Not hugely useful, I grant you, but that doesn't really matter. The point is, I spend most of my time working with software products and platforms which are dubbed "open source".

For the uninitiated, the term open source refers to the licensing of a software product. Open source software is free to download and yours to edit, unlike software from, say, Microsoft, which must be purchased (usually for approximately the cost of one arm and one leg... or your grandmother) and you cannot edit or change in any way beyond the means prescribed to you by Microsoft.

The grander scheme is open source software evolves and is developed by the people and businesses which use it on a day-to-day basis. They don't like something? They take it out. Enough people don't like it, it ceases to be an option. Want it to do something it doesn't? Then add it in. If enough people think it's a good addition, it will become standard.

But who decides? Usually a panel, company or individual, known as the "project maintainer", whose role it is to listen to the case from the community at large and decide what the next version of the product will do, in it's default form, when it is released. What will be kept, what will be dropped, what will be changed, all falls on the shoulders of the maintainer. And of course, if your idea is dropped, well, that doesn't really matter. You can still add it to your version.

It's all very idyllic sounding, but you know what the best bit is? It actually works. Not for nothing does the majority of the Internet run on open source-based software. A coincidence, it is not, that half the governments in South America are moving exclusively to open source software. (Though Mr Bush's old friend Chavez has a finger in that pie, I'm sure. Persuading most of an entire continent to ditch one of America's biggest companies is surely one in the eye for Uncle Sam.)

And now the Dutch are following suit. Which means the rest of Europe is probably only about 10 years away, and interestingly my father (who works in local government, of sorts, here in the UK) is already receiving newsletters from on high about the benefits of open source software within industry and government. Remarkably sharp for the British government, who tend to react to change with the grace and poise of a fully laden super-tanker.

But what on Earth has this all got to do with motoring, classic or otherwise? Not a lot... until this morning. My eyebrows touched the ceiling when I opened an email from a small, US-based sportscar company called Iconic Motors, for two reasons:

Firstly, I (little old me) have been invited to the New York Auto Show at 7pm tomorrow, all expenses paid (except flight and hotel - the expensive bits), as their guest. (Someone should point out it wouldn't hurt to give small-time, London-based motoring bloggers a little more than 24 hours notice for a motor show in New York. Clarkson, I am not.) I can only think they are assuming no one is going to come, so they're inviting every amateur motoring journalist in the world to turn up in the hopes a handful do.

Secondly, Iconic make the grand claim of producing the world's first "open source" car:

Iconic’s not just a little company making 100 very special supercars. We’re making supercars a new way: Open Source design, based on Joy's Law:

The best person for your biggest challenge doesn't work for your company.

I've been a computer guy all my life, with Digital Equipment and as an Oracle VAR, etc. Whether you’re a fan of cars or the internet, you'll love this collaboration.

The Iconic Motors Collaborative Design Initiative (CDI) will be a continuing conversation about the best way to conceive, equip and produce cars right here in America, using the very best suppliers: little companies that normally serve the space and aeronautical industry and the people who custom-build race cars.

And we'd love for you to contribute your own ideas! Using DIGG-like polling, we'll float the best ideas to the top - you will, not me. If one of your ideas wins, you'll be rewarded monetarily and recognized publicly.

So there you have it. This must be my perfect car, as I'm a fan of both cars and the Internet. I should be in seventh heaven as Iconic present themselves as the "maintainers" of an open source supercar, to which anyone can contribute and contributions are welcomed. The trouble is, I'm not.

Here's the thing. An open source project is only as good as the quality of the community contributing. Some open source projects attract super-genii by the bucket load and shoot off in to the stratosphere, surpassing anything even the biggest production budget can conjure up. Look at the Apache web server for a case in point - unbeknownst to the gazzillions of Internet users, this piece of software is open source, free and practically runs the Internet. Others attract a bunch of ill-informed and over-opinionated college kids, exist for as long as afforementioned kids have nothing better to do and then fall down like a sack of spuds.

The Iconic looks more like the latter. For a kick off, it looks like the bastard result of a sordid affair between an AC Cobra and a riced-up Vauxhall Corsa, which leads me to the obvious conclusion the project is yet to attract a designer of any calibre, which is pretty serious when you're trying to sell a six-figure "supercar". It doesn't exactly inspire confidence in the rest of the car either. What else have they borrowed and subsequently mangled to produce this strange looking contraption?

There are a fistful of interesting performance statistics and design notes at the foot of each page, including "Formula One-Derived Racing Suspension" (I sincerely bloody hope not, or anyone who buys one of these things will have no teeth left by the time they get to the end of the block) but all this means nothing. All I'm looking at is an ugly and expensive Cobra replica. I can think of no reason why I would select this over a more faithful copy of the original AC/Shelby collaboration.

Not a great start, if first impressions last, but where Iconic really fall down is in their entire ethos. They attempt to claim this is somehow a community effort and enthuse people to get involved, but let's think about that for a second. To quote Wikipedia:

Open source is a set of principles and practices on how to write software, the most important of which is that the source code is openly available.

Oops. That pretty much makes the Iconic Motors Collaborative Design Initiative dead in the water then.

You see, it's easy for me to sit here and pick holes in a few pictures and facts on a marketing website, but if this were a truly open source project, I'd have an Iconic sitting outside my house. I'd trundle outside, right now, with a tub of filler and an angle grinder and get rid of that stupid skirt they've put on it. Then I'd probably plug my laptop in to the engine management system (because, surely, they've provided me with the appropriate callibration software - for free) and start fiddling with the tick-over rate so my girlfriend doesn't stall it every time the lights turn green. I might even fit an ejector seat. That would be fun!

But I can't. They only plan to make 100 pieces and I am extremely unlikely to ever be able to afford one, and since it was apparently designed by a fifteen-year-old boy, I don't want one anyway. And I bet Joe Boffin in Idaho who contributed to the brake design isn't going to get a brand new Iconic for his troubles either. And there's the problem. In fact, Joe Boffin in Idaho probably knew this, so he didn't even bother to even take part. He made his own aeroplane out of a washing machine and a surf board instead, just for the hell of it.

To call this an "open source" car is a total misrepresentation of what open source is about. This is no more open source than Microsoft Windows, because the contributors will never, ever be able to try out their ideas, say "hey, this works guys!" and give it back. They'll be reduced to firing suggestions at a website in the hopes one of them sticks, just like Microsoft customers.

And who'll do that? A bunch of bored teenagers in computer class, that's who. Everyone else knows that firing ideas at the likes of Microsoft is a waste of energy. The only person who will actually be listened to in the R&D process is the guy with the cheque book.

Then there's the other fundamental problem. Open source is all about the people who use something informing it's development. If you're building an expensive supercar, it is utterly flawed to ask a bunch of people who will, in all likelihood, never even sit in a supercar, never mind own one, to help design one. And it would be commercial suicide to actually listen to them. It's a bit like asking a Maasai warrior to design some hiking boots.


So all this rather begs the question, is it really possible to have an open source car? Not in the truest sense, no, but there are other cars which come much closer to the true spirit of open source than the Iconic. Ladies and gentlemen, may I present the Lotus Seven.

Produced since 1957 and still going strong under the watchful eye of likes of Westfield and Caterham, the Seven is about as open source as you can get. It has always been a kit and you can do as much or as little as you want with it. You can buy a basic, ready-to-roll Seven from Caterham for a shade over £10,000 ($20,000), which is akin to buying Linux from Redhat - you could make it yourself, but you really can't be bothered.

Or you can buy a chassis and some rudimentary bits from Westfield for £2,000 ($4,000) and do the rest yourself, sourcing your own engine and running gear from an old Ford, pulling seats from the back of your mother's sedan and making your own body out of chicken-wire and PVA.

A strong community exists in the form of a number of rabidly enthusiastic owner's clubs who are forever sharing their personal experiences and modifications with great pride. And sometimes, just occassionally, the "maintainers" will use someone's modifications in their own models. And if they don't use your chicken-wire-crafted inspirations? Who cares! You love your Seven just the way it is.

While you'll never get a car for free, the Seven is very affordable, fun, fast, has a real community and allows you to truly build your own car, to your own specifications from a set of core components provided by the product maintainers, the chassis manufacturers and kit builders. If it's open source cars you want, forget the Iconic. Look no further than another Chapman classic.



Well, I'll probably never, ever be invited anywhere again by a small motor company. Damn. If only I'd headed straight for New York, met the CEO and written a glowing review, like Clarkson said I should. I could've been a motoring journalist by this time next week.

Read more »

Motorway Madness

It occurs to me that few people actually appreciate driving any more. It has become something of a modern chore. We are no longer impressed by the technology of the combustion engine. It's old hat. No one utters an "oooo" or an "ahhh" if you roll up in a new sports car any more. They just think you're a flash git with more money than sense. Few people still admire the car and a growing minority even go so far as to demonise it.

As if to hammer home my point, I'm sitting in a coffee shop opposite an exhibition stand with a brand new Ferrari parked on it. Now, I'm fairly sure that had this been 1963 there would have been a small, clamouring crowd, all trying to get a look at the Italian racing car with the prancing horse on the bonnet. Not today. There are some glances from casually interested business-folk and that's your lot. The car is spurned, passed over for a frothy bastardisation of a "coffee" and a cheap life-style magazine.

It comes down to one single and, in fairness, obvious observation: there are too many of them! Sports cars, family cars, big cars, mad cars, all cars. Just Too Many.

Excluding those of you who live in Nebraska, when was the last time you actually enjoyed driving somewhere? Just getting about has become such a hassle these days, no one actually considers motoring as a pass-time any more. It's simply a means to an end. A necessary evil.

Every morning for the last two weeks I have hopped in my car at around 0900 GMT and headed for the M25, London's ring road and Europe's most notorious car park. Every morning, without fail, I endure a terrifying battle of nose-to-tail duelling for the fast lane, which is a joke, because the "fast" lane is travelling at 50mph if you're lucky, just like every other lane. It also stops abruptly every few minutes or so for no apparent reason.

I'm writing this piece to kill some time in the airport. I'm at London Stansted and, all being well, in about three hours I'll be in Milan. Well actually I'll be in Bergamo, which any Italian will tell you is nowhere near Milan, but Ryanair aren't too hot on geography, so I will have to pile out of the airport, in to a car, and straight in to the customary thirty-mile traffic jam in to Milan proper.

And neither of these two European examples of a global pandemic can hold a candle to the Washington Beltway at 1800 EST on a Friday evening. People set out to get from New Jersey to Maryland with a month's-worth of tinned supplies, just in case. My cousin's husband set out with a hunting rifle once, which landed him in a lot of trouble, but that's a whole other story, and no, he didn't shoot anybody.

In most of England there is no such thing as leisure driving any more. I take the Lotus out on a weekend for a tour of the country lanes and within two corners I have come across someone who believes their Nissan Micra is hard limited to 35mph. There endeth the fun. There is an endless stream of traffic coming the other way and I am now stuck behind said individual all the way to wherever I'm going. And even if I manage to pass them, two corners later I'm behind another one.

I could rant about the standard of driving in this country (it is a fact that you will fail your UK driving test if you pootle along at 35mph on an open, unrestricted A-road, and there seem to be a crazy number of folk who do this and the old bill seem to merrily ignore them) but I don't think people today are any worse at driving than they were forty years ago. I don't think there are any more bad drivers as a percentage either. We just notice them more because when the roads are as jam-packed as they are, these people cause even more chaos.

Which is why I think I will take to driving at night. My motorway journey to the airport at 0430 this morning was positively pleasant. For the first time in I can't remember when, the motorway was busy, but in a good way. There were plenty of people about but I could cruise at 80mph in the outside lane, effortless pull out to glide by the spattering of 18-wheelers on their way to various ports and depots, not once did I have to brake or even alter my speed because, as was the intension when 3-lane roads were invented, there is always a spare lane.

This is how motorways are supposed to be. It's a far cry from an average journey up the M1, which typically goes something like this: you're just free of the horrific mess that is the M25 when you slam in to the two hour queue to get through Bedfordshire. Then you have about thirty miles of being stuck behind a diesel saloon hogging the fast lane before you're queuing again to get through Leicestershire. Nottinghamshire is no better and your joy at being free of Derby will be almost immediately tempered by a seventeen-mile tail-back caused by an over-turned caravan. At this point you decide to stop for the night, because you clearly aren't going to make the Scottish border this side of midnight.

So what has this got to do with classic motoring? As I drove along the motorway this morning, it occurred to me I was getting a real sense of what the brave new world of motorways must have felt like to the middle-class populous who could afford the cars to use them. Cruising from London to Edinburgh at 90mph in a Jaguar E-Type must've been an absolute joy, and there were no speed limits. (Allegedly, the existence of the AC/Shelby Cobra and the numerous attempts to set land-speed records somewhere between Luton and Leicester in the late-1960s is at least partially to blame for the 70mph limit we have nowadays. Plod was not amused.)

I can't help but feel I was born in the wrong era and I've missed all the fun.

There was a window of perhaps twenty-five years when motorways were a quick and efficient way of getting from A to B, but alas that time now seems to be well and irretrievably behind us. Cars are too cheap and it's a shameful report on our public transport network that in spite of the state of our motorway network, the masses still prefer it to our woefully poor and grossly over-priced railways.


One final musing: in this modern world, why is it the privileged few who still seem to be willing and able to splash a decent amount of cash on their motor seem largely to purchase ludicrous 4x4 "sports utility vehicles", as the American's call them? Range Rovers with silly alloy wheels, unusably low-profile tyres and lowered suspension, rendering them utterly useless for any sort of off-road activity.

And though you sit lording it over the masses, I had to laugh when I read a Clarkson article the other day, where he admitted to rather enjoying the driving position of the Range Rover, but offered the following cautionary advice: "all other motorists will hate you on a cellular level".

I'm sorry, Mr or Mrs SUV Driver, but this is true and if you don't believe me you are simply in denial. Ask anyone who does not own an SUV what they think of SUV drivers and I would be hard-pushed to publish the expletives they produce. And no, it's not envy. It's frustrated irritation. You are looked upon as the pond-scum of the road, for a dozen reasons not even remotely relating to the environment which I can't be bothered to reel off again.

Read more »

Lift Off

I have finally launched my latest effort, Classic Car Source. It's taken an age to get off the ground, but I'm sure you can appreciate how much work I've put in to it.

I actually need a favour from any readers who might like to get involved. I need any classic car enthusiasts who are willing/able to help populate my content library. I'm slowly trawling through it, but it's a lot of research and I will be months just entering the manufacturers and models myself. Sadly my budget is zero/zilch/zippo/nowt, as this is an entirely personal project, but if you do enjoy researching and writing about classics, I'd love to hear from you. Vintage bikers too!

If anyone's interested, you can register and then let me know you're there - then I can give you permission to work on the library.

I really think this could be the classic car resource to end all resources, if I can only get the public interested. I might look in to the possibility of attending some events this year and perhaps making up some business cards or something. Could be worth it.

Speaking of events, I'm just about to book my tickets for the Le Mans Classic this summer. Fantastic. I can't wait. Good company, fine wines, beautiful countryside and lots of really, really nice classic cars. If I still have it, the Lotus is definitely coming with me this time!

Ta da for now.

Read more »

Merry Christmas

Late, I know, but Season's Greetings and all that jazz.

I was fortunate enough to receive (at long last) a shiny new multimeter from Santa Claus et al this Christmas. I'm in Southwell, Nottinghamshire and the Lotus is tucked up in Epping, but I now cannot wait to return home and begin measuring anything and everything electrical. I have already measured the resistance of my girlfriend, which is, for the record, very, very high.

This handy little electronic device has arrived just in the nick of time too, as the damned Lotus seems to be leaking charge from the battery. Either that or it's not charging properly when running. Either way, my multimeter will effortlessly equip me with the knowledge I require. I hope.

If it's the latter, then Barry Ely has two jobs in the spring (assuming I still own the Lotus, which is still for sale, by the way). New clutch slave cylinder and a new alternator. Fortunately, neither job is particularly expensive and, as I've noted many times before, repairs come with the territory.

(For the record, my father also got a multimeter, as his Jaguar XJ-S Convertible is happily dumping it's entire battery in less than a day. He had the ignominious experience of being jump-started in the office car park by a Fiat Panda, called "Custard" apparently, and you know what I think about naming cars. He too has some investigation to do, so it's not just the Lotus which causes headaches. And you should see the price of his tyres!)

I'm just hoping the weather holds, as I have no plans for Monday, so if it's a nice day I will jump-start the old girl and take her for a good, long run in the sun. I'll probably take the Fiat out too, as she's been neglected recently. The British weather has been so shocking for the last few months, we've barely had a decent day on a weekend. Even Christmas Day was a wash-out. Humbug!

One more thing - it remains a New Year's Resolution of mine to sell the Lotus and buy myself a nice, early 1980s, Porsche 911. This was further exacerbated yesterday evening when, while driving the Rover 600 back from a family dinner in Lincoln, it too feeling as though it had just eaten two pounds of turkey and full accompaniments, one blasted past me on the A46 around Newark. I was left blinking and murmuring...

*poop* *poop*

Have a great New Year. More to come in 2008.

Read more »

Broken Brakes

My brake light switch stopped working the other day. I tried to purchase a new one from Halfords, whose catalogue assured me they had a brake light switch for a 1974 Lotus Elan, so I ordered it in for collection two days later. Was it correct? Was it hell is like! It was the brake light switch for a modern Elan. Utterly useless to me.

Figures, I suppose. I half expected it to be incorrect, but my well represented lazy gene convinced me to order it anyway, since it beat a trip to Bishops Stortford... and it might be right.

The worst part is, no one at Halfords seems to actually bother to correct the catalogue. They just shrug and send the part back marked as "no longer required". NO! It's not "no longer required"... it's plain "wrong"! There is an option for "wrong" on the computer, but they all ignore it and send it back as "no longer required", so the catalogue managers have no inkling they're sending out the wrong bit. I'm sure it's a part they carry, as it is common to several cars from the 1970s/1980s/probably even early 1990s.

Anyway, I was about to trundle up the road to Bishops Stortford to a motorfactor and get the part there, when someone on LotusElan.net told me they were easy enough to fix. Apparently they get corroded and dirty inside, but if you clip them apart and polish up the contacts they're good as new.

So I popped down to the garage, looked at where the switch was mounted on the back of the pedal box, disconnected the spades and the plastic switch screws straight out. Fantastic. You don't even need tools. I ran a wire between the spades with the ignition on, just to be sure the switch was the faulty part, and the brake lights lit. I took the switch home, dismantled it, could see immediately it needed a clean, so I set to work with some glass paper and ten minutes later it was back together again (as shown in the photo).

Now, those of you familiar with this particular type of switch are probably already saying "Ohhhh!" - yup, it didn't work. Had I actually thought about the mechanism, rather than half-guessing how the switch came apart (I couldn't actually see it properly, on account of the spring sending its various parts in five different directions across the living room floor) then I would've realised I was doing it wrong. But I didn't.

I should note this is also where you need a multimeter, something I am now asking for at Christmas! If I had a multimeter, I could've simply measured resistance across the terminals of the switch and realised what I only discovered when I got down to the garage and fitted the part, without leaving the fireside - namely, the way I had put the switch together meant it was permanently "on". The way I assembled it (as shown) just makes the spring press the contact plate permanently against the contacts, rendering the switch no more useful than a length of wire. Obvious, with the benefit of hindsight.

I walked the ten minute walk, up the hill back to the house, cursing the rain, my stupidity at not taking my precision screwdriver set with me and not actually considering carefully enough how the mechanism needs to work. When I got back to the house and took the switch to pieces again, looking with a more analytical eye everything became clear:

There is a little square peg on the internal end of the push-button of the switch, which is clearly supposed to marry to the little square hole in the brass contact plate of exactly the same size. The correct configuration is with the contact plate the other way around to the way it is in the photo, inside the casing of the switch, and on the other end of the spring with the spring going up between the contacts to rest against the clip-on plastic "top".

The tricky part is when you clip the whole unit back together again. The contact plate needs to pass the contacts, so that when the switch is sealed, the spring pushes the plate back on to the contacts, but not past them - this is a push-to-break switch, not a push-to-make. When you push the button in, the contact plate is forced up towards the clip-off end of the switch, away from the contacts it sits between, breaking the circuit.

When in position, it is permanently "pushed" by the end of the brake pedal lever. The act of pushing brake pedal removes the lever from the end of the switch, allowing it to extend and make the circuit, illuminating the brake lights.

It took me four attempts to put the switch back together so that it functioned correctly. I can't think of any easy way to do it. It's just a case of trying until you suceed through dumb luck! But it does go, eventually, with the correct blend of brute force and ignorance. And my brake lights work once more. Happy days!

Read more »

Under The Hammer

I have decided to sell the Lotus.

*Stunned silence*

Seriously, life is too short and there are too many cars I want to experience. The Lotus is for sale and I am sourcing a Porsche 911 S. I'm really looking forward to sampling something completely different. I believe, ultimately, I will return to the Lotus stable and get myself a nice Elan Sprint, but first I want to play the field a little.

Wish me luck!

And it goes without saying, drop me a message if you're interested in buying the Lotus.

Read more »

Citroen's Future Car Comes Of Age

For some time now I've been fascinated by the Citroen DS. Clarkson once remarked what a shame it is Citroen no longer make their trademark "crazy big cars" and I'm inclined to agree.

My boss in my first full time job after uni, an architect called Mark, was a DS nut. He didn't have one any more, preferring his new Alfa 166, but he had been through a string of them in his 20s and 30s and loved every second of it.

As family saloons go, they were pretty damned luxurious. They looked stunning too. They look even more stunning these days, now that all cars look the same. They remind me of a 1950s luxury jet on wheels - a look that continues right through the car, from the chrome ridge running up the centre of the bonnet to the enormous leather armchair with wrap-around headrest, which almost literally absorbs the driver.

I don't know what they're like to drive, but the air suspension is always good for a laugh and they had a wealth of fantastic little touches, such as headlamps that turn to point the way you are directing the car. (Great for the DS driver but a pretty ropey idea if you're the poor sod coming the other way on a right-hand bend!)

So, suffice it to say I'd rather like a Citroen DS. Annoyingly, just five years ago I could've picked one up for peanuts in any French town you'd care to mention. Not so any more. They are scarce enough and interesting enough to fetch the best part of €10,000 these days, for a decent later model. Still feasible, but no longer in the "cheap" stakes.

Which is why I got rather excited when I saw an immaculate red DS convertible (or Decapotable, as the French call it) in Rapallo at the weekend.

These days the Decapotable version is a very expensive car, as it seems Citroen only made about three of them. To give you an idea, the only one I could find for sale in the UK was a replica (a standard 1963 saloon with the roof chopped off by a good coachbuilder) and the dealer wanted £50,000 for it. They are, to coin a phrase, like hen's teeth. So it's hardly surprising the only place I've ever seen one is a stone's throw from Porto Fino, in Italy's millionaire's playground, on the Ligurian coast. The other two are probably in St. Tropez.

Sadly, I seemed to be the only one who noticed. Everyone else was too busy trying to stop my girlfriend's nephew from dropping his ice cream on the floor. Oh well. Their loss!

Read more »

The new, new Fiat 500

So it has been launched. What started off as an industry rumour has ended up a finished product. According to Fiat CEO, Sergio Marchionne, "the new Fiat 500 will be the iPod of cars". I hope so. These relaunches of classic models have been a mixed affair. The new Mini is a fantastic little car, but then the new Volkswagen Beetle is dull and completely undeserving of the association.

I'll reserve judgement on the new 500 until I actually see one, but it can't be any worse than the last "Cinquecento" Fiat put out. I'm tempted to go to a dealer over the weekend and see if I can get a test drive - just for fun!


On a slightly different note, the photo in this post looks like a Fiat 600, right? Wrong! Apparently this is a Zastava 750 and my father took this photo in Croatia. It is a re-badged Fiat 600 and the "750" refers to the engine capacity, as the later models had 767cc engines.

Read more »

Famous Fiat

Well, the Classic Car Agency has paid off. Both cars are listed, but somehow I knew it would be the Fiat, not the Lotus, that got booked. They're just such cute little cars.

And not only was it booked, it was double booked. A fashion shoot in Manchester wanted it on the same day, but a publicity shoot with the DJ duo, The Shapeshifters, and their singer, Jenna G, in Battersea won hands down, both for glamour and location.

Silly as it may sound, I've also created a MySpace for the Fiat. Why not, eh? The car is on its way to being a celebrity in its own right, so it should have a MySpace. That's my excuse, and I'm sticking to it.

I look forward to the next booking. And the cheque will help pay for the Lotus service. *phew*

Read more »

Servicing Shock

The Lotus, in spite of spending most of the last twelve months laid up in one workshop or another, has not seen a true specialist in a while. For this reason, I decided to take it to a Lotus specialist nearby (known to the Club) for its long-overdue "full service".

I am still shaking from the bill. Over £1,000!

Don't get me wrong, broadly speaking the Lotus is reasonable economical. Until now the car has caused me little trouble, but three years without a proper service have taken their toll.

Couple that to the fact the rotoflex joints on the rear axle (similar to the one pictured, courtesy of BoatUS.com) need changing this time, which is no small task, and must happen at least every 15 years or so, regardless of mileage (the rubber simply ages). The final bill is eye-watering.

There's a lesson here. Avoid the annual service at your peril! Ignoring the working classic car until it breaks is a false economy, as I keep attempting to explain to my long-suffering girlfriend. She, like many people, only sees the bills - £100 here, £200 there. But in the grand scheme of things, these small "hits" to keep things ship-shape pale into insignificance compared with the cost of ignoring a car for 3 years and having to fix everything at once, and some!

Of course, when I get the Lotus back I sincerely hope that will be it for a year, and it should be. That's the point of a good service by a specialist engineer. There's always the potential for finding a gremlin in an old car which has been lurking for a few months, waiting to be spotted by the sharp-eyed mechanic.

But it's important to bear in mind even the big gremlins (like my £500 rotoflex replacements) on a classic car are cheaper than some of the monstrous creatures to be found lurking in a 5-year-old modern car. Something like a new catalytic converter (courtesy of a malfunctioning engine management computer) means a truly horrific bill for even the cheapest 2002 Fiat Punto (it would effectively write off my Rover) and these things do happen.

So I philosophically accept the pain of running a classic car, and remind myself the guy driving around in a second-hand BMW M3 is shaping up for a much larger bill before too long.

Read more »